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THE EXHIBITION "WOMEN IN BALANCE" CLOSED ON SEPTEMBER 10, 2023. WE ARE WORKING ON THE NEXT PROJECT. 

From 1960 until her death on 19 October 2018, Wanda Miletti Ferragamo was the head of the Salvatore Ferragamo brand, constantly seeking a balance between her work and family. In August 1960, when her husband died, instead of closing the business, she decided to transform an artisanal workshop for women’s shoes into a fashion house, where her children could continue the tradition of innovation and creativity that Salvatore had begun. A reserved woman, Wanda Ferragamo did not like to talk about herself or boast of her success. This is why we have decided to honour her memory with an exhibition that examines the complexities of what it was to be a woman in Italy between the fifties and sixties, when Wanda changed the course of her life. They were the years that came to be known as the “economic miracle”, a time of profound change for the country, when women were entering different sectors of Italian society, helping to build the Italian republic. They were women in search of new ways of being that continue to call into question the present in which we live, as demonstrated by the interviews in a documentary film shown as part of the exhibition. Through objects, clothing, works of art, videos and photographs, the exhibition traces the activities and choices of women of different ages, including those who gained entry to fields of work previously reserved almost exclusively to men: women in the professions, the arts and culture, politics and the workforce, whose personal experiences shed light on the longest revolution of contemporary times, that which marked the end of the separation of gender-based roles.

In the background lie the many questions created by the pandemic, which has also highlighted the urgent need to more carefully examine gender relationships. To this end, the exhibition at Palazzo Spini Feroni includes a virtual project developed in collaboration with the Arts Curating course of the Istituto Marangoni of Florence, in which the works and testimonies of eleven international women artists were gathered and explored for a collective reflection on identity as the central subject of our contemporary condition.

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WANDA
MILETTI
FERRAGAMO

Wanda was born on 18 December 1921 in Bonito, Irpinia, the same hometown of Salvatore.

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WOMEN IN
BALANCE
TODAY

"The personal experiences that many contemporary women have chosen to narrate in the film that accompanies the exhibition reveal a clear-sighted awareness that each one has of herself."

Davide Rampello

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DIGITAL EXHIBITION

On the occasion of Donne in Equilibrium, Museo Salvatore Ferragamo and Istituto Marangoni Firenze present the collateral project A Feminine Lexicon, a digital exhibition curated by the students of the Arts Curating course of Istituto Marangoni Firenze.

A collective reflection on the theme of female identity through the research of eleven contemporary and international artists, united by the fact of sharing, through their individual lexicon, a reflection on the interdependence between language and identity.

Women in Balance

MAKING
OF

A short video to narrate the long process behind every exhibition project.


ARTWORKS

01 Wanda-Miletti © Marten Elder-872x1160

Claire tabouret, Portrait of Wanda Miletti Ferragamo, 2022, acrylic and ink on paper.

Museo Salvatore Ferragamo, Florence

02 Necessaire-Wanda-872x1160

Salvatore Ferragamo, Palazzo, 1961.
Museo Salvatore Ferragamo, Florence


03 Famiglia Ferragamo 872x1160

The Ferragamo family on the roof of palazzo Spini Feroni, 1983. in front: Fiamma, Wanda, and Fulvia; behind: Giovanna, Leonardo, Ferruccio, and a mannequin

01

Aldo Londi for Bitossi Ceramiche, The Brambilla family, 1960, red clay shaped by hand, carved details, 46 x 30 x 13 Ø cm.

Montelupo Fiorentino (Florence), Archivio Aldo Londi

02

Italian Family, by Rocco Gurrieri and Irene Montini, run time 9’10’’, B/W, 4:3. Images from Istituto Luce, RaiTeche and Archivio Rai in Rome.

Florence, Museo Salvatore Ferragamo

03

Tavolo tondo 4991, assembly of tables at Kartell, 1964
kartell Museo, Noviglio (Milan)

b1

Drawing of models, panel by Carla Badiali for the New York fashion show, 1950s

Como, Private collection

b2

The objects fo the secretary.

Milan, Alessandro Pedretti design collection

Noviglio (Milan), Kartell Museo

Campari_872x1160

Franz Marangolo, On the moon but with Bitter Campari, 1960s, advertising sketch in Indian ink and tempera, collage on paper board
Sesto San Giovanni (Milan), Galleria Campari

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Alitalia stewardesses wearing the uniforms designed by the Fontana sisters, 1950s, B/W photograph on forex board.

Rome, ANPAN (Associazione Nazionale Personale Aero Navigante)

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The Giussani sisters in their studio, 1966
Milano, Archivio Farabola

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Cashiers at the Esselunga supermarket in Milan, 1957

Pioltello (Milan), Archivio storico Esselunga

04-03

Giosetta Fioroni, Family interior, 1960, pastels, pencil, coloured and aluminium paints on paper.

Rome, Archivio Giosetta Fioroni

04-01

Giosetta Fioroni, Birth of an Op Venus, 1965, oil on canvas.

Pesaro (PU), Collezione Mancini-Orio

04-02

Giosetta Fioroni, A woman in silence, 1964, pencil and aluminium and coloured paints on canvas.

Rome, Archivio Giosetta Fioroni

04

Gli oggetti del ripostiglio
Milano, Alessandro Pedretti design collection Noviglio (MI), Kartell Museo

05

Some bottles of Fratelli Branca dating back to the 1950s.
Milan, Archivio Storico Collezione Branca.

06

Some Martini bottles.
Chieri (Turin), Collezione Martini & Rossi, Archivio MARTINI

08

Kitchen ceramics.
Milan, Alessandro Pedretti design collection Milan, Galleria Compasso

Senza-titolo-1

A few pages of advertisements by Erberto Carboni for Barilla pasta from 1956 to 1958.

Parma, Archivio Storico Barilla-Parma

Senza-titolo-2

Wanda Miletti Ferragamo’s recipe notebook.
Florence, Museo Salvatore Ferragamo

Senza-titolo-1 (1)

Frames from the movie Il segno di Venere, directed by Dino Risi, 1955

Senza-titolo-2 (1)

Frame from the movie La bella di Lodi, directed by Mario Missiroli, 1963

Senza-titolo-3

Photos from the set of Guendalina, directed by Alberto Lattuada, 1957

03 (1)

Women in balance: today, directed by Giorgia Benazzo, 2022, run time 22’00” (exhibition version), colour, 16:9.
A production by Rampello & Partners Creative Studio for Museo Salvatore Ferragamo.
Florence, Museo Salvatore Ferragamo

02 (1)

Rita Pavone, Stasera Rita, 1965

09

Gli oggetti della camera dei ragazzi
Firenze, Collezione privata Milano, Alessandro Pedretti design collection

01 (1)

Footwear created by Salvatore Ferragamo and his daughter Fiamma from 1955 to 1965.
Museo Salvatore Ferragamo, Florence

10

Alma Maria Lami, circular skirt, c. 1951, cotton with applications and embrioidered morifs of women practicing sport Collezione Enrico Quinto e Paolo Tinarelli, Rome; Myrcae, circular skirt, c. 1957, linen with fabric applications of comma motifs Collezione Enrico Quinto e Paolo Tinarelli, Rome; Roman Tailor’s shop, sleeveless day dress with circular skirt, c. 1955, cotton printed with geometric motif
Farani Sartoria Teatrale, Rome

11

Max Mara, Jacket and skirt, Fall/Winter Collection 1958, Mottled Shetland wool, Archivio d’Impresa Max Mara, Reggio Emilia; Max Mara, jacket and skirt, Fall/Winter Collection 1963, Achivio d’Impresa Max Mara, Reggio Emilia; Germana Marucelli , three-piece suit (jacket, skirt and waistcoat), Fall/ Winter Collection 1963, Collezione Enrico Quinto e Paolo Tinarelli, Rome; Bili for Cori, coat, C. 1962,
Museo Salvatore Ferragamo, Florence

12

Curiel, Tapered Coat, 1960–65, Wool Cloth Costume Moda Immagine, Palazzo Morando, Milan; Giovanna Ferragamo, overcoat with zip and dress, c. 1966, Wool Jersey with Geometric Arrowhead Motif Museo Salvatore Ferragamo, Florence; Giovanna Ferragamo, Double-Breasted Coat, 1960S, wool crepe
Museo Salvatore Ferragamo, Florence; Mila Schön, jacket and skirt, 1965, Wool cloth
Archivio A.N.G.E.L.O. – A.N.G.E.L.O. Vintage Archive, Lugo (Ravenna)

07

Max Mara, Jacket and skirt, Fall/Winter Collection 1958, Mottled Shetland wool, Archivio d’Impresa Max Mara, Reggio Emilia; Max Mara, jacket and skirt, Fall/Winter Collection 1963, Archivio d’Impresa Max Mara, Reggio Emilia; Germana Marucelli , three-piece suit (jacket, skirt and waistcoat), Fall/ Winter Collection 1963, Collezione Enrico Quinto e Paolo Tinarelli, Rome; Bili for Cori, coat, C. 1962.
Museo Salvatore Ferragamo, Florence

13

Carosa, 1955-1959, Gallerie degli Uffizi, Florence, Museo della Moda e del Costume; Simonetta, 1955–60, Gallerie degli Uffizi, Florence, Museo della Moda e del Costume; Sorelle fontana alta moda, created for donna Marella Caracciolo Agnelli.
Archivio fondazione Micol Fontana, Rome

Donne In Equilibrio-23

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